G7 altered is the same as Ab melodic minor: Ab Bb B Db Eb F G Ab. Formula: 1-2-3-#4-5-6-7-8 (Fmaj7 or Cmaj7#11) The Lydian Mode works well over any maj7#4, maj7b5, or maj7#11 chord. The Altered scale is also known by the following names: Diminished Whole Tone, Super Locrian. These are great for upper structure voicings on the piano, and are great for soloing. This makes the scale D–Eb–F–F#–Ab–Bb–C–D. The 5th of E7 is B natural, but in the altered scale the 5th has been flattened to Bb. Equation 2 (ALT) 1. b9 #9. It’s the 7th mode of melodic minor, just as Locrian is the 7th mode of the major scale. The Lesson steps then describe how to identify the E-flat melodic minor scale note interval positions, choose the note names and scale degree names.. For a quick summary of this topic, have a look at Melodic minor scale. The altered scale features 3 of the 4 chord tones of a dominant 7th chord (1, 3, and b7) plus all the extensions of the chord altered. So, whenever you see a dominant V7 chord to I written within a chord progression you can play an altered scale over the dominant chord. Show me chords that sound good with an Eb Altered scale. On the seventh note (on the leading tone): diminished chord (e.g. Also known as the altered dominant scale this mode has every non essential tone altered. Try playing example 1 to establish the C major context in your ear. chords that sound good with an Eb Altered scale, http://www.outsideshore.com/music/educational-materials/primer/melodic-minor-harmony/#AlteredScale, http://en.wikipedia.org/wiki/Altered_scale, http://en.wikipedia.org/wiki/Musical_mode#Other_types_of_modes. As we touched on a few issues back, the Altered Scale is the 7th mode of the Melodic Minor Scale. In jazz, the altered scale or altered dominant scale is a seven-note scale that is a dominant scale where all non-essential tones have been altered. In jazz, the altered scale or altered dominant scale is a seven-note scale that is a dominant scale where all non-essential tones have been altered. The 1st construction, using the major scale, starts at Lesson 3.. The Altered Scale (also known as the Super Locrian, Diminished Whole-Tone, and Dim-Whit scale!) The scale is also identical to the seventh mode of the Melodic Minor (e.g. The notes that are contained in that scale are: F Gb Ab Bbb Cb Db Eb In jazz and progressive rock, the altered scale or altered dominant scale is a heptatonic or 7 note scale that is a dominant scale where all non-essential tones have been altered. For example in the case of C as the tonic, the C# melodic minor scale can be used starting on C: The Altered Scale and its Applications for Jazz Guitar, https://en.wikipedia.org/w/index.php?title=Altered_scale&oldid=976843685, Articles with incomplete citations from March 2011, Creative Commons Attribution-ShareAlike License, This page was last edited on 5 September 2020, at 11:07. Detailed information for the scale D#/Eb major. The natural forms of the non-essential tones are not present in the scale. Use the D half-whole diminished scale (aka dominant diminished scale) on D7#9 and the Eb half-whole diminished scale on Eb7#9. And since it is something we are very familiar with and we can use this to change it a bit and use it for other chord sounds like Altered… So, the theory for the altered scale is 1, b9, 3rd, #9, #11, b13, and b7. Title: All 12 Altered Scales Author: Dudu-Yzhaki Subject: Piano-Scales Keywords: jazz scale, jazz scales, piano scales … They are in most cases much less used than the main versions. The Pentatonic scale is one of the first things we learn. Bars 5 … The B altered scale serves as a passing scale to the 3 chord on the key of C.. Bass LH RH B A Eb G B altered scale Adim = A, C, Eb). The most obvious example is as IV chord (e.g. The Solution below shows the Bb blues scale, on the piano, treble clef and bass clef.. By altering one or more notes we aren’t changing the fact that these are five note scales. E Flat Harmonic Minor Scale. Show me chords that sound good with an Eb Altered scale. 1. And the altered scale is a really important scale to practice if you want to create a jazz sound when playing on these 7th chords. The Altered Scale etude showcases three different ways of using the Altered Scale and gradually becomes more difficult. It’s called the ‘altered’ scale because every extended harmony note that can be altered (9, 11, 13) has been altered (b9, #9, #11, b13): Altered scales are often used over altered seventh chords, e.g. This tells us that it is a part of the Ab melodic minor/ G Altered scale and we can also see that it is a good fit for the G7 with an F and a B in there. 1,2 In young children, ALOC may manifest as fussiness or irritability. It's a Locrian Mode with a flat 4 - but the second Eqn above makes sense of it, it's the notes available in an altered dominant chord, laid out in a scale. Melodic Minor as an “Altered” Scale. The only thing that is tricky is the function it has most of the time: To sound out of place. The Superlocrian Scale. highest pitch string at the top (unless you've tuned your instrument differently.). Usually, an altered scale is used on a #9 scale, but an altered scale has a b5 and a #5, but no natural 5. These are: The altered forms of some of the non-essential tones coincide (augmented eleventh with diminished fifth and augmented fifth with minor thirteenth) meaning those scale degrees are enharmonically identical and have multiple potential spellings. All pitches are lowered except C in the C altered dominant scale of C Db Eb Fb Gb Ab Bb. For example, Altered Locrian b4 that is identical to the Locrian Scale except for the flatted fourth. The Altered Dominant Scale. The lines. See the diagram: PDF: 7th Modes Ab Major and Mel Minor. Eb Altered for piano. The Solution below shows the Eb melodic minor scale notes, intervals and scale degrees on the piano, treble clef and bass clef.. The scales we need for this lesson are a G major scale for the Am7 and Gmaj7 chords and Eb melodic minor for the D altered scale. Now that you know which Altered Scale to use over which chord, let’s check out the Etude. Altered pentatonic: B Eb F G Bb B. We don’t improvise scales; we improvise melodies! Okay, I've said enough. We have one straight minor pentatonic scale: Bbm – Bb Db Eb F Ab Bb. Learning The Altered Dom7th Pentatonic Scale. The Diminished-wholetone Scale. Altered Scale in B is a minor scale with flat second, flat fourth and flat fifth intervals. If you made any changes to your settings. G7 sharp 5, of C7 flat 9, etc.. Use the altered scale with the same root note as the dominant chord, e.g C altered scale over a C7 sharp 5 chord, or an F altered scale over an F7 sharp 9. So the altered scale could be used on an E7b5 chord. For example, Altered Locrian b4 that is identical to the Locrian Scale except for the flatted fourth. Altered scales most commonly appear over dominant seventh chords that resolve to the root. I call this a shortcut for a reason. It's called an Altered Dominant scale because it's a Dominant scale that includes the altered versions of all of the non-essential tones of a dominant chord. This means that it comprises the three irreducibly essential tones that define a dominant seventh chord, which are root, major third, and minor seventh and that all other chord tones have been altered. But, as with most things, it’s easy when you understand it. Connecting to the basic G Altered Scale. Eb Altered bb7 Uke scale (H,W,H,W,W,H,WH) on the soprano. Adjust the "start fret" option to further highlight a finger The Altered Scale is actually a mode of melodic minor. CLICK HERE TO SIGN UP NOW! b5. Standard Tuning (gCEA). So, whenever you see a dominant V7 chord to I written within a chord progression you can play an altered scale over the dominant chord. How to Play the Eb (E-Flat) Altered Dominant Scale on Guitar. Hence why it’s called the altered scale. Bb. Altered Pentatonic Scales . These notes can be used to create tension alongside the chord tones of G-B-F. Once you’ve got a handle on the scale, let’s move on to some licks. Altered. Chords that sound good with Eb Altered scale(s) JGuitar's harmonizer allows you to easily identify chords and scales that will sound good when played together. Hit "Go" G7 sharp 5, of C7 flat 9, etc. Altered scales are based on the same principles as altered chords. G Altered = G-Ab-Bb-B-Db-Eb-F-G . The altered scale is also known as the Pomeroy scale after Herb Pomeroy (Bahha and Rawlins 2005, 33; Miller 1996, 35), the Ravel scale after Maurice Ravel, and the diminished whole tone scale due to its resemblance to the lower part of the diminished scale and the upper part of the whole tone scale (Haerle 1975, 15). Coming from the Ab Melodic Minor scale, the G Altered Scale is G-Ab-Bb-B-Db-Eb-F. Notice that it has the B natural, which works nicely on the V chord (G7) but also has an Ab (b9), Db (b5) and Eb/D# (#5). This means that it comprises the three irreducibly essential tones that define a dominant seventh chord, which are root, major third, and minor seventh and that all other chord tones have been altered. The Altered Dominant Scale. Cb Altered. VI. The altered scale is actually the 7th mode of melodic minor. b3. The altered chord is a dominant th… What I mostly have heard about the altered scale is how people keep telling me it is difficult and probably the name makes it stand out. This scale is also known as: The 7th mode of the C Melodic Minor Scale. It gives a jazzy dissonant sound to dominant chords. To play a harmonic minor scale, you simply raise the seventh note of the natural minor scale by a half-step as you go up and down the scale. Don't know what a scale is? 108.185.42.185 05:15, 27 May 2013 (UTC) It gives it a … Learning The Altered Dom7th Pentatonic Scale. So, here’s my very quick guide to using the altered scale on bass. Basically the root note is the only note not altered in this scale. The B altered scale serves as a passing scale to the 3 chord on the key of C.. Bass LH RH B A Eb G B altered scale SECTION o APPLIED JAZZ CLINIC + LESSON PLAN (21 PAGES) Super Locrian is sometimes just called Altered Scale (but it is not a great name since there are more altered scales), while five of seven notes have been altered in comparison to the normal notes in the major keys. All information about Guitar Scale: Eb Altered - Notes: Eb.Fb.Gb.G.A.Cb.Db - Formula: [1,b2,b3,b4,b5,b6,b7]. Or for any altered key - play the #11 and #5 triads. The G altered scale contains the notes G Ab Bb B Db Eb F In example 3 I have taken each of these notes and let it resolve to a note on a C major chord, so Ab resolves to G, Eb to E or D etc etc. Harmonic Minor; Phrygian Dominant; Dorian (alternate) Mixolydian (alternate) Chord Progressions. b4. Gb. A G Altered scale consists of G, G#, A#, B, C#, D# and F notes. In example 2 I am first playing the scale as a 2nd position minor pentatonic. This scale has existed for a long time as the 7th mode of melodic minor. The chord most closely associated with this scale is Bm7b5 . On the first note: half-diminished seventh chord (minor seventh chord with a flat fifth, e.g. That’s what I am using here in this next example. For example, "C7alt" supplants "C7♯5♭9♯9♯11", "C7−5+5−9+9", "Caug7−9+9+11", etc. Part of the series: How to Play Scales on the Guitar 5. Super Locrian is sometimes just called Altered Scale (but it is not a great name since there are more altered scales), while five of seven notes have been altered in comparison to the normal notes in the major keys. It has an anomaly - it has both a major and a minor third. You can alter chord tones and extensions by moving them one semi-tone up or down. Here is how I usually play All Blues’ theme. View this scale in: G-Tuning (DGBE) D-Tuning (ADF#B) Slack-key Tuning (gCEG) The altered scale is actually the seventh mode of the melodic minor scale, also called Super Locrian mode. The altered scale is the 7th mode of the melodic minor scale, also called the Superlocrian scale. You learned, step-by-step, how to play the altered scale. Altered scales Altered scales include one or more notes that is lowered or raised compared to its main variation. The altered scale (often abbreviated to “C7alt.”) can be played over dominant 7 chords, because it contains a major 3rd and minor 7. This scale is also known as: The 7th mode of the C Melodic Minor Scale. F, Gb, G#, A, B, C# Eb, F Nomenclature-wise, I prefer this spelling due to lowered/raised ninths, raised eleventh, and the raised fifth (as opposed to a lowered thirteenth [Db]) encountered in the F alt 7 chord. To find the appropriate notes for an altered scale, simply go up a half step from the root of the chord and play the ascending form of the melodic minor scale (a major scale with a flatted third). Altered; Other Scales. Part of the series: How to Play Scales on the Guitar 5. If you play it in a C major context you can probably hear it. It simply “locks up” a bit better. Eb. SYNTHETIC Scales: Scale Name: Spelling: Major Scale Reference: C Whole Tone C,D,E,F#,G#,Bb = 1,2,3,#11,#5,b7 C Diminished C,D,Eb,F,Gb,Ab,Bbb,B = 1,2,b3,4,b5,b6,bb7,7 Altered Scales work over chords built on the 5th note in major keys because they contain the common chromatic passing tones used as alterations. selected scale highlighted. So they want to add Db>C, D#>E, Ab>G, as well as Bb>A and Eb>D, because the 6th and 9th are good consonant extensions on I. Four-note chords on the altered scale. Before print or download please save it first. The altered scale is the 7th mode of the melodic minor scale, which means that it is like playing Ab melodic minor starting from the note G. The altered scale is used to solo over dominant 7th chords, both in major and minor keys. Fb. Find guitar scales using graphic interface. Now go practice. The lines When you make lines over a D7 altered there are two triads that can work really well (there are more of course, but for this lesson I am mostly using these two): A Search Engine for Musical Scales. The Altered scale is also known by the following names: Diminished Whole Tone, Super Locrian. the altered scale … playing jazz using things about music you already know … jazz clinician mr. christopher burnett conn-selmer artist + clinician www.burnettpublishing.com. Watch my lesson about Altered Harmony if you don't get it. Since the key of Bb appears on the Circle of fifths diagram as both a major and minor key, the Lesson steps explain both ways of constructing this blues scale for this key:. For instance, in a G7(b9)sus to Cmin7 progression, a G Phrygian (same key center as Eb major, 3 flats) works well. VI. These are: Then he shows you the D altered dominant scale, which in addition to the root, third, and flatted seventh uses the flat nine, sharp nine, flatted fifth, and augmented fifth. What’s the fingering for this scale? Altered pentatonic: B Eb F G Bb B. So, G Altered comes from Ab Melodic Minor…that means G Altered is Ab Melodic Minor starting on G! you’ve probably played some and I’m certain you’ve heard of them.. but what exactly are we talking about here? A altered Eb F G ... Gb Ab Bbb=A F altered Cb=B Db Eb F 2. JGuitar's scale calculator will draw scale diagrams showing the fretboard with notes in the This melodic minor scale is based on the natural minor scale with the same key / tonic note - Eb natural minor scale. The Diminished-wholetone Scale. C. Equation. So, on G7, you would play Ab melodic minor starting on G, and voila, you’re playing G altered. C# Altered. So, the theory for the altered scale is 1, b9, 3rd, #9, #11, b13, and b7. To be clear, scales are good for note choices to help make melodies, but we aren’t just playing scales when we improvise! The essential tones for a dominant chord are the root, the major third, and the minor seventh. Chords And Extensions . Altered scales are based on the same principles as altered chords. Free guitar scales for beginner or advanced guitarists. "Altered scale" is short for "Altered Dominant scale". Space and melodic phrasing is demonstrated in the first four bars. Altered scales are used predominantly by jazz musicians to produce interesting tensions while improvising over dominant seventh chords. Altered Scale in B is a minor scale with flat second, flat fourth and flat fifth intervals. A C Altered Dominant scale also has an E, not an Fb. It’s basically any melodic minor scale played from the 7th tone to the 7th tone (… in other words, instead of starting and ending on the first tone of the scale like you’d normally do, you start and end on the 7th tone of the SAME scale. Major Diatonic Chords; Major Parallel Modes; Major II – V – I ; Minor II – V – I; Circle Of Fifths; Melodic Minor Modes. G Altered is identical to the 7th mode of Ab Melodic). Now that we know the notes of the E flat minor scale (natural), we now take a look at the E flat harmonic minor scale. It works great over an altered chord (7#9b13, or 7alt), which implies 7(b9#9#11b13). Lydian Major . 1. Scale diagrams can also be labeled with either letters or scale degrees. Then the theorist comes along and says "OK let's call all those notes the altered scale". Jazz Clinic / Page 3 of 3 Updated Tuesday, October 15, 2019. If you start this scale on the Eb, the second step, it’s the same as the Eb melodic minor scale Eb–F–Gb–Ab–Bb–C–D–Eb. There are seven ways to alter a basic major pentatonic scale. The super-Locrian scale (enharmonically identical to the altered scale) is obtained by flattening the fourth note of the diatonic Locrian mode: Another way to obtain the altered scale is by thinking of it as the 7th mode of the melodic minor scale. Altered Scale in All Keys (And yes you could add A#>B for good measure if you want.) So the scale starts off as a diminshed scale and ends up as a whole tone scale, hence the name. Looking for major triads, we find only two - F# major (F# A# C#) and Ab major (Ab, C, Eb). Db Altered. (1, b9, #9, 3, #11, b13, b7, 8) (you can also have the 5th, although it’s a “secret” hidden note that isn’t generally played in the scale) H W H W W W W. The Altered Scale is … The following are seventh chords built on the notes of the altered scale. However, the more common name for it is the altered scale. First, let’s take a crash course in Altered Chords. 4. The altered scale features 3 of the 4 chord tones of a dominant 7th chord (1, 3, and b7) plus all the extensions of the chord altered. 1. b2. SYNTHETIC Scales: Scale Name: Spelling: Major Scale Reference: C Whole Tone C,D,E,F#,G#,Bb = 1,2,3,#11,#5,b7 C Diminished C,D,Eb,F,Gb,Ab,Bbb,B = 1,2,b3,4,b5,b6,bb7,7 I think that using the altered scale is often perceived as “advanced” harmony. This scale has many names, including “Super-Locrian,” “Diminished-Whole-Tone” or even the “Dim-Wit” scale. How to Play the Eb (E-Flat) Altered Dominant Scale on Guitar. I.e., every possible half-step move to the tonic is now available. Backing Track Listen & Play Along How does this help? b7. Let us take a look at a C altered scale: C, Db, Eb, E, F#, G#, Bb. D Altered. This means it lacks a major ninth, a perfect eleventh, a perfect fifth, and a major thirteenth. The scale is also identical to the seventh mode of the Melodic Minor (e.g. The altered scale is made by the sequence: The abbreviation "alt" (for "altered") used in chord symbols enhances readability by reducing the number of characters otherwise needed to define the chord and avoids the confusion of multiple equivalent complex names. Eb Altered bb7 Uke scale (H,W,H,W,W,H,WH) on the soprano. For this reason, the altered scale is sometimes called the super-Locrian scale or the Locrian flat four scale (Service 1993, 28). C Altered. When you have a C7 chord, try playing these two triads over them. When you make lines over a D7 altered there are two triads that can work really well (there are more of course, but for this lesson I am mostly using these two): Eb minor: Eb,Gb,Bb which related to D becomes b9, 3rd, b13. Notes, Intervals and relations to other scales in the database. Altered Dominants are meant to be pulled out of the hat to sound out side for a bit and then resolve back to the surroundings at the end of the cadence. Use the form below to select one or more scales, hit "Go", and the harmonizer will tell you what chords will sound good when played with the selected scales. The C altered scale is also enharmonically equivalent to the C Locrian mode with F changed to F♭. Important: The fretboard is shown with the lowest pitch string at the bottom and the G Altered is identical to the 7th mode of Ab Melodic). Theoretically, I can think of 2 scales where this could come from: The Half-Whole Diminished Scale. The chord most closely associated with this scale is Bm7b5 . The E-flat melodic minor scale has 4 flats. F major in the key of C), but the Lydian mode can also work well over a I chord. E-flat melodic minor scale. The term altered level of consciousness (ALOC) can be used to describe a spectrum of disorders that includes clouding of consciousness, confusion, lethargy, obtundation, stupor, or coma. This tells us that it is a part of the Ab melodic minor/ G Altered scale and we can also see that it is a good fit for the G7 with an F and a B in there. The Altered Dominant Scale, Part 1 In this lesson, Chad takes a little digression from the path he’s been taking, with a lesson on the altered dominant scale, which is used in modern and mainstream jazz. You have to skip over two scale members in an Altered Dominant scale to get from the root to the third of the dominant chord because there are two ninths, which means a C Altered Dominant scale has two D's, spelled Db and D# (not Eb). B-flat blues scale. b6. I play most of the melody with single notes, except for a few passages where chordsare added. Standard Tuning (gCEA). I then give some of the possible chords that this new scale will work over. 3. b5 #5. b7. They remain five note scales albeit altered in some way. Ab. The scales we need for this lesson are a G major scale for the Am7 and Gmaj7 chords and Eb melodic minor for the D altered scale. Sign up to access all practice material. Altered scales are used predominantly by jazz musicians to produce interesting tensions while improvising over dominant seventh chords. Take a C altered scale - C, Db, Eb, E, F#, Ab, Bb. Scale - Altered 1,b2,b3,b4,b5,b6,b7 FULL-th pattern Root note - D#/Eb Guitar Tuning: Altered Pentatonic. But in the end it is of course just a set of notes like any other scale and no more difficult than the rest of them. It is also enharmonically the seventh mode of the ascending melodic minor scale. Altered scales include one or more notes that is lowered or raised compared to its main variation. Since the natural minor key is itself on the Circle of 5ths - Eb minor on circle of 5ths, this means that this is a commonly used melodic minor scale key. The Superlocrian Scale. This is written below in musical notation with the essential chord tones coloured black and the non-essential altered chord tones coloured red. See diagrams at Standard Guitar. to see the result. View this scale in: G-Tuning (DGBE) D-Tuning (ADF#B) Slack-key Tuning (gCEG) The altered scale is actually the seventh mode of the melodic minor scale, also called Super Locrian mode. Altered scales are often used over altered seventh chords, e.g. pattern for playing the selected scale in a different position on the fretboard. 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First four bars two triads over them out of place over them you play it in a C scale.